**Exploring “In Galiyon Mein”: A Thought-Provoking Film with Javed Jaffrey & Vivaan Shah**
The Indian film industry has always been an integral part of social and political discussions. With films shaping cultural narratives and influencing public perceptions, the role of actors and filmmakers extends beyond mere entertainment. A recent movie, *In Galiyon Mein*, is making headlines for its deep-rooted storytelling and social commentary.
In this exclusive conversation, we sit down with Javed Jaffrey, Vivaan Shah, and director Avinash Singh to discuss the film’s essence, societal reflections, and challenges in today’s cinema landscape.
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## **The Societal Relevance of *In Galiyon Mein***
The premise of *In Galiyon Mein* revolves around pertinent social issues, highlighting communal harmony and gender dynamics. Javed Jaffrey’s character embodies the secular fabric of India, greeting people with “Pranam Walekum,” while Vivaan Shah’s character challenges the conventional notion of masculinity by questioning why men cannot express emotions openly.
Director Avinash Singh shares that the film is an amalgamation of three powerful stories written by Punervasu’s late father, conceived during the 90s—a time when societal transformations were evident, much like today’s climate post-2014. He emphasizes the importance of storytelling that reflects contemporary issues while maintaining an engaging cinematic experience.
Avinash credits producer Vinod Yadav for his courage in backing a film that dares to address such themes. In an industry driven by commercial viability, this collaboration ensures that meaningful cinema still finds space on the big screen.
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## **Should Artists Be Political? Javed Jaffrey Weighs In**
The debate on whether artists should be politically vocal is never-ending. Javed Jaffrey firmly believes that politics is intertwined with daily life, from the food we eat to the prices we pay. Silence, in his view, is not an option for individuals who influence public opinion.
He references legends like Rajkumar Hirani, who incorporate social messaging within mainstream films, highlighting that cinema should serve both as entertainment and social commentary. While Bollywood embraces escapism, it must also spark critical thought among audiences.
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## **The Changing Audience & OTT vs. Cinema Debate**
With the rise of OTT platforms, the way audiences consume content has drastically evolved. The attention span has shortened, and people now seek instant engagement through mobile phones.
Avinash Singh acknowledges this challenge and asserts that a filmmaker must adapt while maintaining storytelling integrity. He cites recent screenings where audiences were immersed in *In Galiyon Mein*, proving that a well-paced film can still captivate theatergoers.
Javed Jaffrey adds another crucial perspective—economics. The high cost of movie tickets deters audiences from watching every release in cinemas, leading them to opt for OTT premieres instead. He explains how this shift has affected mid-budget films, pushing independent filmmakers towards digital platforms.
However, some films like *Badhai Ho* and *Newton* have defied odds and succeeded despite the prevailing trends, reinforcing that compelling content still finds an audience in theaters.
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## **The Impact of Casting in Bollywood**
The conversation also touches upon the business aspect of film casting. Star power often dictates decisions, with producers prioritizing commercially viable actors over those suited purely on merit.
Javed Jaffrey reminisces about his experience with veteran filmmaker Subhash Ghai, where actors were once identified by their characters rather than star personas. He notes that while method acting has gained prominence, commercial cinema still heavily relies on star appeal.
Vivaan Shah credits his journey to films choosing him rather than him choosing films. He believes that a film’s essence shapes an actor’s career, and he is grateful for the projects he has been a part of.
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## **Javed Jaffrey on His Career Evolution**
Despite being a versatile actor, dancer, and mimicry artist, Javed Jaffrey acknowledges the industry’s struggle to break stereotypes. Initially boxed into dance-centric roles, he later transitioned into comedy before exploring dramatic characters. The challenge, he says, is convincing filmmakers to see past an artist’s established image.
However, roles in projects like *Taaza Khabar* and *Mohre* have allowed him to demonstrate his range. He hopes audiences and filmmakers continue to embrace diversity in storytelling, allowing more nuanced performances to flourish.
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## **Discussing the Polarization in Cinema**
In recent years, films have increasingly divided audiences, especially when dealing with topics like religion, masculinity, and nationalism. Movies like *Animal* and *Chhava* have sparked debates, showcasing how films are interpreted based on personal and societal biases.
Avinash Singh views this as a reflection of social division itself, where cinema serves as a mirror to ongoing cultural shifts rather than just a product of entertainment.
Javed Jaffrey recalls a lesson from his father, where he emphasized that cinema should act as a unifier rather than fuel conflicts. He stresses that timing and approach matter when presenting social issues, ensuring a constructive rather than divisive impact.
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## **Will There Ever Be a *Dhamaal* Spin-Off?**
A lighthearted moment in the interview arises when *Dhamaal* is mentioned. Fans have long wished for a spin-off centered around Javed Jaffrey’s beloved character, Adi Manav.
He reveals that discussions have taken place, and he has been persuading director Indra Kumar to consider an OTT series focusing on the character. However, the idea is yet to materialize. Given the global trend of character-based spin-offs, he hopes Bollywood will soon follow suit.
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## **Final Thoughts: Why Films Like *In Galiyon Mein* Matter**
Javed Jaffrey urges audiences to support such socially relevant films in theaters. Strong box office performances will encourage producers to invest in similar narratives, ensuring that important stories continue to be told.
Vivaan Shah and Avinash Singh conclude by emphasizing that cinema is not just about entertainment—it is a cultural phenomenon that shapes public discourse. They hope that *In Galiyon Mein* sparks meaningful conversations among viewers, prompting introspection and societal change.
The film is set to release on **June 14**, and it promises to be a cinematic experience worth watching on the big screen.
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